Last night, as a precursor to the Academy Awards, the Independent Spirit Awards were given out. If you go to Film Independent’s website, you’ll find a really helpful discussion about what makes an “independent film” truly independent.
To help lessen the number of calls and e-mails I get from students who can’t remember which articles were assigned for the Newsweek Quizzes, I’ll be posting them here.
- Next quiz is on Wednesday, 19 March 2008, over the March 10th issue with William F. Buckley on the front. Articles begin on pages 34, 36, 42, and 54.
- There will not be a quiz on Monday, 10 March 2008 because of the Fact/Value Persuasion Speeches. We will select the magazine and articles next week, for the quiz on 19 March 2008.
- Monday, 3 March 2008 with Addiction on the cover: articles begin on pages 10, 30, 36, and 45.
- Monday, 25 February 2008 with Michelle Obama on the cover: articles begin on page 15, p. 16, p. 26, and p. 45.
Calling all documentary filmmakers! The following contests may be something you like to enter. Be prepared, the deadlines are quickly approaching.
True/False Film Festival Gimmie Truth
The deadline has been extended to February 15th. For more information follow the link.
Maybe you’d like to enter a national competition. Then Documentary Challenge may be for you.
Study: False statements preceded war
By DOUGLASS K. DANIEL, Associated Press Writer2 hours, 53 minutes ago
A study by two nonprofit journalism organizations found that President Bush and top administration officials issued hundreds of false statements about the national security threat from Iraq in the two years following the 2001 terrorist attacks.
The study concluded that the statements “were part of an orchestrated campaign that effectively galvanized public opinion and, in the process, led the nation to war under decidedly false pretenses.”
The study was posted Tuesday on the Web site of the Center for Public Integrity, which worked with the Fund for Independence in Journalism.
White House spokesman Scott Stanzel did not comment on the merits of the study Tuesday night but reiterated the administration’s position that the world community viewed Iraq’s leader, Saddam Hussein, as a threat.
“The actions taken in 2003 were based on the collective judgment of intelligence agencies around the world,” Stanzel said.
The study counted 935 false statements in the two-year period. It found that in speeches, briefings, interviews and other venues, Bush and administration officials stated unequivocally on at least 532 occasions that Iraq had weapons of mass destruction or was trying to produce or obtain them or had links to al-Qaida or both.
“It is now beyond dispute that Iraq did not possess any weapons of mass destruction or have meaningful ties to al-Qaida,” according to Charles Lewis and Mark Reading-Smith of the Fund for Independence in Journalism staff members, writing an overview of the study. “In short, the Bush administration led the nation to war on the basis of erroneous information that it methodically propagated and that culminated in military action against Iraq on March 19, 2003.”
Named in the study along with Bush were top officials of the administration during the period studied: Vice President Dick Cheney, national security adviser Condoleezza Rice, Defense Secretary Donald H. Rumsfeld, Secretary of State Colin Powell, Deputy Defense Secretary Paul Wolfowitz and White House press secretaries Ari Fleischer and Scott McClellan.
Bush led with 259 false statements, 231 about weapons of mass destruction in Iraq and 28 about Iraq’s links to al-Qaida, the study found. That was second only to Powell’s 244 false statements about weapons of mass destruction in Iraq and 10 about Iraq and al-Qaida.
The center said the study was based on a database created with public statements over the two years beginning on Sept. 11, 2001, and information from more than 25 government reports, books, articles, speeches and interviews.
“The cumulative effect of these false statements — amplified by thousands of news stories and broadcasts — was massive, with the media coverage creating an almost impenetrable din for several critical months in the run-up to war,” the study concluded.
“Some journalists — indeed, even some entire news organizations — have since acknowledged that their coverage during those prewar months was far too deferential and uncritical. These mea culpas notwithstanding, much of the wall-to-wall media coverage provided additional, ‘independent’ validation of the Bush administration’s false statements about Iraq,” it said.
On the Net:
Center For Public Integrity: http://www.publicintegrity.org/default.aspx
Fund For Independence in Journalism: http://www.tfij.org/
Copyright © 2008 The Associated Press. All rights reserved. The information contained in the AP News report may not be published, broadcast, rewritten or redistributed without the prior written authority of The Associated Press.
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Well, as is the case every year, Hollywood awoke early to hear this year’s nominations. I was surprised by quite a few, and surprised by who didn’t get nominated. The most glaring missed nomination (of those I assumed would be)? Helena Bonham-Carter for Sweeney Todd.
Other than that most obvious misses, there are always head scratchers. For instance, Javier Bardem is on-screen as much as Julie Christie but he is nominated for Best Supporting Actor and she’s nominated for Best Actress. And speaking of missed chances– how do you NOT nominate Gordon Pinsent from Away from Her. A truly gorgeous performance that allowed Christie to do what she did. Oh well! Just another year at the Academy Awards.
For the complete list of nominees go to http://us.imdb.com/features/rto/2008/oscars
They’re Playing My Song. Time to Work Out.
The playlist fixation has a scientific basis: Studies have shown that listening to music during exercise can improve results, both in terms of being a motivator (people exercise longer and more vigorously to music) and as a distraction from negatives like fatigue. But are certain songs more effective than others?
Generally speaking there is a science to choosing an effective exercise soundtrack, said Dr. Costas Karageorghis, an associate professor of sport psychology at Brunel University in England, who has studied the effects of music on physical performance for 20 years. Dr. Karageorghis created the Brunel Music Rating Inventory, a questionnaire that is used to rate the motivational qualities of music in the context of sport and exercise. For nearly a decade, he has been administering the questionnaire to panels representing different demographics, who listen to 90 seconds of a song and rate its motivational qualities for various physical activities.
One of the most important elements, Dr. Karageorghis found, is a song’s tempo, which should be between 120 and 140 beats-per-minute, or B.P.M. That pace coincides with the range of most commercial dance music, and many rock songs are near that range, which leads people to develop “an aesthetic appreciation for that tempo,” he said. It also roughly corresponds to the average person’s heart rate during a routine workout — say, 20 minutes on an elliptical trainer by a person who is more casual exerciser than fitness warrior.
Dr. Karageorghis said “Push It” by Salt-N-Pepa and “Drop It Like It’s Hot” by Snoop Dogg are around that range, as is the dance remix of “Umbrella” by Rihanna (so maybe the pop star was onto something). For a high-intensity workout like a hard run, he suggested Glenn Frey’s “The Heat Is On.”
Music preferences are as idiosyncratic as workout routines, of course. Allison Goldberg, a 39-year-old life coach and amateur runner who lives in Texas and who is training for the Houston Marathon on Sunday, has been running to the Green Day CD “American Idiot” because, she said, “There’s no way you can run slow to Green Day.” (Though she may not be listening on race day; a rule bars runners from using portable music players and headphones.) Haile Gebrselassie, the Olympian from Ethiopia who has won the gold medal at 10,000 meters, often requested that the techno song “Scatman,” which has a B.P.M. of around 135, be played over the sound system during his races.
Ms. Goldberg also includes on her playlist “Don’t Phunk With My Heart” by the Black Eyed Peas (130 B.P.M.), “Mr. Brightside” by the Killers (150 B.P.M.), and “Dancing Queen” by Abba. The musical style that seems to most reliably contain a high B.P.M. is dance music, said Richard Petty, the founder of Power Music, a company that has produced workout compilations for instructors and fitness enthusiasts for two decades. “A rock song doesn’t have that same consistency,” said Mr. Petty, a former D.J. who takes a metronomic approach to making exercise music: He chooses a hit song with a catchy melody — say, “Gold Digger” by Kanye West — and produces a remix whose B.P.M. count is tailored to experience level and type of workout.
For a stroll walker going at a pace of around 3 miles an hour, a remixed track has a count of 115 to 118 B.P.M.; for a power walker going 4.5 m.p.h., the count is 137 to 139 B.P.M., while the B.P.M. for a runner elevates to 147 to 160.
The compilations, aimed largely at women doing cardio, with titles like “Shape Walk — 70’s Hits Remixed,” contain no pauses between songs. That unwavering beat allows a person to synchronize their movements to the music, something that Kate Gfeller, a music professor at the University of Iowa, said is crucial.
“Music provides a timing cue,” said Professor Gfeller, who after taking an aerobics class several years ago where the teacher picked music whose tempo didn’t match the moves, was inspired to study the components of music most important to a gainful workout. “It helps you to move more efficiently, which, in turn, can help you with endurance.” (She likes to warm-up for figure skating to the Buena Vista Social Club, in particular the songs “Candela” and “El Cuarto de Tula.”)
In other words, the best workout songs have both a high B.P.M. count and a rhythm to which you can coordinate your movements. This would seem to eliminate any music with abrupt changes in time signature, like free-form jazz or hard-core punk, as well as music that varies widely in intensity, like much of indie rock. It also rules out what the writer and neurologist Oliver Sacks calls “music which doesn’t have adequate rhythmic force.”
“Here, I think of Wagner,” said Dr. Sacks, whose recent book, “Musicophilia,” discusses the link between rhythm and movement. “Nietzsche wrote of what he called Wagner’s ‘degeneration of the sense of rhythm.’ ”
Dr. Sacks is fond of swimming, and said the one-two-three cadence of his strokes often leads him to play a waltz in his mind. “Neurologically, it makes no difference if you’re listening to music or imagining it,” he said. “Vivid imagining activates motor parts.”
Much of the research done on music and exercise is geared toward aerobic workouts like jogging and cardio. But as anyone who has heard Metallica blasting from a weight room stereo knows, music is a motivator in strength training, too. “The vast majority of bodybuilders are fans of heavy metal, if not in their personal life at least in the gym,” said Shawn Perine, a senior writer at Flex magazine. Loud, aggressive music, he said, “keeps you elevated, especially in between sets.”
Mr. Perine prefers to work out to hip-hop. “Let’s say you’ve done a grueling set of squats,” he said. “You’re out of breath, and L. L. Cool J’s ‘Mama Said Knock You Out’ comes on. Your energy won’t flag.”
But is there a perfect workout track, a song that transcends exercise forms and personal preferences? One comes up repeatedly: “Gonna Fly Now,” the theme from “Rocky.” In a forthcoming book on music and sport that he contributed to, Dr. Karageorghis writes that the song “evokes a state of optimism and excitement in the listener,” and Ms. Goldberg said it helped her get through her first marathon. The band from Bishop Loughlin Memorial High School in Brooklyn has set up along the New York City Marathon route and performed the “Rocky” theme for runners each race day for the last 30 years.
Bill Conti, the song’s composer, shed light on why it continues to motivate. “I put a Da-Da! in the beginning,” Mr. Conti said. “any kind of Da-Da! gets your attention. Then it goes into a tune we’ve heard played so weepily throughout the movie, but now I put a beat behind it and put it in a major key.” When Rocky runs up the museum steps, musically, Mr. Conti said, “I am milking it as much as I can.”
Still, Mr. Conti is reluctant to overanalyze it. “Music is anti-intellectual,” he said. “We know the Greeks went into battle listening to music in the Dorian mode. I can only imagine some Greek guy said, ‘This works.’ ”
In December, 25 more films were added to the United States’ National Film Registry. For more information about the registry and to vote for the 2008 selections, access the following link.
Interesting thoughts on interpersonal compatability, for both sexes. Although the article focusses on men asking these questions of their female companion, the questions are applicable for any couple– particularly the last question.
Missouri voters will participate in the largest “Super Tuesday” ever, where 24 states, and half of all eligible delegates will be determined.
The 5th True/False Film Festival will occur in next few months– February 28-March 2, 2008. That is during Columbia College’s Spring Break. If you’re around Columbia at the time, be sure to attend or better yet, volunteer.
Go to http://www.truefalse.org for more information.